Pride and Prejudice and Zombies, and the state of the mash-up movie

How to make a mash-up: Into a cauldron, toss some historical or fictional character, dusty novel, or ancient fairy tale. The more staid or stale or out of fashion, the better. Then, stir in creatures or villains from some different genre: zombies, witches, dinosaurs, even Nazis. Pour this mixture into a script, and bake for about 120 minutes at 75 million dollars, give or take a few million. Serve with a reliable dressing — blood and gore, perhaps — that most focus groups will find to their tastes. Prepared correctly, your Hollywood masterpiece will serve the masses.

On Friday, the mash-up rises again with “Pride and Prejudice and Zombies.” The movie version of Seth Grahame-Smith’s 2009 novel of the same name retells Jane Austen’s 1813 tale of manners, morality, social standing, and romance, but sets it in a reimagined Regency Era beset by the undead.

Will this new concoction, equal parts Austen and zombie pandemic, deliver a much-needed shot in the arm or another box office blow to the genre? Read the rest of my story over at the Boston Globe